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InicioE-BooksRevistas de Música Abbey Road The Making of the Beatles’ Final Masterpiece 2019
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Abbey Road The Making of the Beatles’ Final Masterpiece 2019

WELCOME TO ABBEY ROAD 50th ANNIVVERSARY

In just over seven years, The Beatles went from lovable mop-tops that wanted to hold your hand to  musical geniuses that took us all on a magical mystery tour. Even now, decades after they officially went their separate ways, the Fab Four’s worldwide audience remains as captive as ever. We salute the  greatest band of all time

On 8th August 1969, John, Paul, George and Ringo strode across the zebra crossing outside their favourite studios to create the cover image for their next album. Little did they know that five decades later fans would still flock to Abbey Road for the chance to follow in their idols’ footsteps. Abbey Road has become one of The Beatles’ bestloved albums, influencing generations of musicians and producers all over the world. In this book, we celebrate the groundbreaking record and its enduring legacy. Discover the stories behind the songs, the creation of that iconic photograph and what made 1969 such a pivotal year in music and history. Abbey Road may have marked the end of the road for The Beatles, but even amid personal and professional tensions, the band carefully crafted a classic.

John Lennon went crazy in Hamburg. He was 19 years old, obsessed with rock ’n’ roll and high on speed. When he wasn’t fighting with members of the audience or playing guitar in his underpants with a toilet seat round his neck, he would antagonise the club’s German patrons with Nazi salutes. Once he even urinated from a window onto some passing nuns… just for laughs. Lennon was playing eight hours a night, seven
days a week with his band, The Beatles. Little did the young men know that within a few years they would be the biggest group in the world. But for the moment, they were just going off their heads and having a blast.

The sound of The Beatles in Hamburg is best described as raw power. Little amps running at full capacity with their valves glowing in the gloomy darkness of The Indra Club (in the seedy district of St Pauli and where the band would complete a 48-night stint). The boys singing their lungs out, beating the hell out of their guitars, trying not to get killed by the regulars who would shout “Mach schau!” (which translates as ‘put on a good show’). They did and then some. “John used to dance around like a gorilla,” remembered lead guitarist George Harrison years later. “We’d all knock our heads together… things like that.” “Evolution and diversity,” says Slipknot’s Jim Root of The Beatles’ contribution to popular music. “From Please Please Me to Abbey Road, they went from standards to experimentation and back. To me, they were much more than a band. They were pioneers in the relatively new world of rock ’n’ roll and pop.” There were key events that pushed The Beatles in a certain direction and influenced their sound. These milestones include the group’s toughapprenticeship in the clubs of Hamburg andsubsequent and triumphant return to Liverpool  to play at the legendary Cavern Club. It was at the Cavern Club in 1961 that they first met their future manager Brian Epstein, who would put them in suits and eventually secure them a record contract with EMI in 1962.

Categoría: Revistas de Música Etiquetas: Beatles, Música
  • Descripción
Descripción

ABBEY ROAD – THE MAKING OF THE BEATLES’ FINAL MASTERPIECE

That year The Beatles’ first single, Love Me Do, was released and the band’s classic line-up was in place: rhythm guitarist John Lennon, bassist Paul McCartney, lead guitarist George Harrison and drummer Ringo Starr. Four lads that would conquer the world as a self-contained unit, having written their own songs. Not a big deal these days, but in the early 1960s it was unusual for a British pop group to write their own material…

The foursome were always seeking out new sounds and recording techniques. Anything that could help them grow as artists would be thrown into the mix. This need to always be moving forward dates back to when they were young lads in Liverpool trying to teach themselves guitar: “We used to travel for miles for a new [guitar] chord in Liverpool. We’d take bus rides for hours to visit the guy who knew B7!”

Paul McCartney once reminisced. “None of us knew how to finger it. We sat there and he played it a few times, then we said, ‘Brilliant, thanks!’ We already had E and A. The B7 chord was the final piece in the jigsaw.” Lennon and McCartney were the band’s main songwriters; George would blossom as a composer aer The Beatles quit touring in 1966. Early on in their partnership, John and Paul made the decision to credit any song they wrote to Lennon/ McCartney… even if one of them wrote a song without the other’s help.

Although well-researched books like Ian MacDonald’s essential Beatles bible, Revolution In The Head, now detail which Beatles songs were genuine collaborations and which were solo efforts, there were differences in John and Paul’s writing styles that would oen give the game away: “He [Paul] provided a lightness, an optimism, while I would always go for the sadness, the discords, a certain bluesy edge,” Lennon commented. A prime example of this contrast is the song Getting Better on Sgt. Pepper’s Lonely Hearts Club Band. While Paul’s verse and chorus lyrics build in optimism.

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